Film #6: "Kitty Foyle" and a ship

No "Kitty Foyle" is not a nautical movie. When I say ship, I am referring to my strong feelings about Wyn (Dennis Morgan) and Kitty Foyle (Ginger Rogers) as a couple.
Kitty Foyle (Ginger Rogers) is a working girl who has to choose in between being her wealthy blue blood ex-husband's mistress (Dennis Morgan is the ex) or a doctor's wife. There are flash backs throughout the film that explain Kitty's past with both the ex-husband and the doctor. This movie was made in 1940. The doctor works at a children's hospital instead attending to the health problems of "rich neurotics." Wyn is married. What do you think is going to happen?

Reasons why I am Wyn FTW:

1) He is better looking. Looks: they're not everything, but they are something.

2) He did not blackmail his way into a date with Kitty (unlike a certain doctor).

3) Kitty really loves him. You can tell.

4) Because she was living in New York but wanted to go to this dance in Philadelphia, the Assembly Ball, Win rented out a ballroom in New York until 5 a.m. (The time the dance in PA ends). He bought her a really pretty dress to wear, breakfast, and gave her a family heirloom ring as an engagement ring.

5) He reads Kitty poetry.

6) His snooty family is what ruined their marriage. In whatever exotic country he's moving to they're not there.

7) The first time around, he was willing to give up his trust fund and stuffy family for Kitty. He would have too, but she thought poverty would make him hard and bitter, so she wouldn't let him and ran off to New York to get a divorce.

8) Wyn is played by Dennis Morgan. Have you seen him in "Christmas in Connecticut"? I rest my case.

Actually maybe I wouldn't go with Wyn, because being a mistress is for most very unrewarding, but Win and the doctor aren't the only handsome straight men in New York City. I would keep looking if I couldn't have Wyn.

P.S. Kitty has some amazing clothing in this movie. If you can find no other reason to watch this movie do it for the 40s clothing goodness.

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Film #5: Midnight in Paris

Disclaimer: I've seen this movie before.

The first time I saw "Midnight in Paris" I literally danced out of the movie theatre. The beautiful images of Paris and the emotive strains of Sidney Bechet's soprano saxophone on "Si Tu Vois Ma Mere" flooded my mind as I left. The film contained everything I have always loved and many things I never would have discovered otherwise. I never would've gotten interested in jazz or the lost generation if it weren't for "Midnight in Paris." Cole Porter would have just been a familiar sounding name, and forget about the exquisite Bechet!

In spite of the excellent soundtrack and cinematography, Midnight is not without its flaws. Rachel McAdams' character Inez is written as a very conventional two-dimensional evil fiancée.There is little depth to Inez and that bothers me. Mainly its because you can never understand what Gil Pender (played by Owen Wilson) ever saw in her.

I'm getting ahead of myself! The basic plot of "Midnight in Paris" is as follows: a newly engaged couple (Wilson and McAdams) and some family go to Paris. Everyone is uninterested in Paris and its beauty and history. Except the fiancé, a romantic minded screenwriter named Gil, who is currently on a novel. One night after a wine-tasting party, Gil walks back to the hotel by himself and is ushered into a twenties automobile. He finds himself at a party taking place in the glimmering literary scene of twenties Paris!

As I gushed earlier, the music and cinematography are excellent, but I didn't even mention the superb costumes. Honestly, they are the best I have ever seen for a film that is trying to do twenties clothing (some bad ones: "The Great Gatsby," "Ziegfeld Girl," "The Roaring 20s," any 40s does 20s movie). All of the shimmering beaded evening dresses and little bags are perfection. A particular favorite of mine was Marion Cotilliard's cream and coral nautical-inspired dress. Also all of the actors, especially Cory Stoll (Hemingway) and Adrien Brody (Dali) did spot on impersonations of their historical figures.

Paris has never been more beautiful or magical than when viewed through Woody Allen's lens. Although a lot of the initial movie magic has faded with repeated viewings, there is still some left, and how it shines!